Chaplin described Nijinsky as "a serious man, beautiful looking, with high cheekbones and sad eyes, who gave the impression of a monk in civilian clothes....I have seen few geniuses in the world, and Nijinsky was one of them."
Nijinsky watched Chaplin at work for two days.* He never laughed but sat behind the camera "looking sadder and sadder." "Nevertheless," Chaplin wrote, "at the end of each day he would compliment me. 'Your comedy is balletique, you are a dancer,' he said."
Chaplin paid homage to Nijinsky's legendary performance of L'Apres-midi d'un Faune during his dance with the wood nymphs in Sunnyside (1919).
*In My Autobiography, Chaplin remembered incorrectly that Nijinsky watched while he was filming The Cure.
Reading about this encounter, i have found this information. Have you heard about it? (The Nijinsky issue):
ReplyDeletehttp://www.thehistoryblog.com/archives/17788
Hi Diana,
DeleteYes, David Robinson covers it extensively in his new book FOOTLIGHTS/WORLD OF LIMELIGHT.
How interesting! thanks Jessica!
ReplyDeleteYou're welcome. Evidently there were a number of versions of the dancer story, which was originally intended as a vehicle for Paulette, even though the main character was a male dancer.
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