Showing posts with label Mary Pickford. Show all posts
Showing posts with label Mary Pickford. Show all posts

November 28, 2016

United Artists stars & producers gather to protest the Fox West Coast Theater monopoly, November 1930

"We'll show our pictures in tents!" they said.

L-R: Al Jolson, Mary Pickford, Ronald Colman, Gloria Swanson, Douglas Fairbanks, Joseph Schenck, Charlie, Samuel Goldwyn & Eddie Cantor.

Modern Screen, Feb. 1931. Click to enlarge.

What did Chaplin have to say?

Santa Cruz Evening News, Nov. 29, 1930

(City Lights premiered January 30th, 1931 at the newly constructed Los Angeles Theater.) 

Fox West Coast and United Artists eventually reached a compromise in August 1931. Read more about it here.

L-R: Douglas Fairbanks, Gloria Swanson, Mary Pickford, Chaplin

September 19, 2016

Chaplin and others at the premiere of THE GOLD RUSH, June 1925

This photo is currently up for sale on eBay.* It appears to be from the Hollywood premiere of The Gold Rush.

Douglas Fairbanks and Mary Pickford are at far left with Gloria Swanson. I'm not sure who the women are on either side of Charlie. That might be Norma Talmadge at far right. Someone more knowledgable may be able to identify them. I think there is something a little fake-looking about this photo. The background looks airbrushed out. Or it could be a composite of individual photos from the premiere.


*The eBay seller lists Paulette Goddard as being in the photo. Of course, she is not. And the photo they include of the back is for a different picture.

July 22, 2016

Day By Day: 1936

Wednesday, July 22nd: Charlie and Paulette attend a reception honoring Johannes Poulsen, head of the Royal Theater Of Denmark. 

Host Mary Pickford introduced Poulsen to 200 celebrities and civic leaders on the lawn of her home, Pickfair. The Danish director was invited by the California Festival Association to stage an outdoor production of the play Everyman at the Hollywood Bowl that September.

In this grainy photo from the Los Angeles Times (7/23/36), you can see Charlie and Paulette to the right of Mary
 (in white hat). 
L-R: Poulsen, CC, Paulette, Norma Shearer, and Mrs. Poulsen.
Poulsen at left and Jean Hersholt on the right. I apologize for the watermarks.

Day By Day: 1936: An account of one year of Chaplin's life. (Note: Some recent updates to the series are only posted on the series page.)

June 26, 2016

Hollywood premiere of THE GOLD RUSH at Grauman's Egyptian Theater


More than 15,000 fans, held in check by ropes and police, gathered outside the theater on the evening of June 26th, 1925 to watch the celebrities descend from their cars. Among those in attendance were: Douglas Fairbanks and Mary Pickford, Gloria Swanson, Mabel Normand, Rudolph Valentino, John Barrymore, Lillian Gish, Marion Davies, Irving Thalberg and Norma Shearer, who were on their first date. Chaplin's then wife, Lita Grey, did not attend.*

Cover of premiere program. See the inside here.
Inside the theater the stars were announced to the audience via an elaborate stage prologue called "Charlie Chaplin's Dream" described as a "thing of matchless beauty":
A novel presentation of the celebrities present was accomplished by unreeling a special movie showing a procession of stars in specially acted incidents with Fred Niblo as master of ceremonies, both in film and on the stage.
Rudolph Valentino in the screen introduction was presented in a bathing suit and bathrobe as an oceanside victim of auto thieves. At this point a noise of running feet in the aisles attracted attention to a racing figure which was Rudy, sure enough, in a bathrobe.  Niblo reproached the sheik for appearing in such a costume, whereupon Rudy nonchalantly unpeeled the checkered robe and revealed the proprieties of a tuxedo.1
The applause for Mabel Normand's entry was second only to that of Charlie himself.

Chaplin at the premiere.

When the film was over Chaplin received an ovation and made his way to the stage but was "too emotional, he explained, to make much of a speech and then, characteristically, he proceeded to deliver a fairly good one."2

John Barrymore, Douglas Fairbanks, Charlotte Pickford, and Mary Pickford
at the opening.
Another person in the audience that evening was William E. Curry, grandfather of Lita Grey, who was Chaplin's original leading lady in the film until she became pregnant. "At the intermission, old Mr. Curry confided to a friend the depth of his disappointment at seeing Georgia Hale instead of Lita in the screen triumph he had anticipated for his 17-year-old granddaughter."3


Chaplin with Sid Grauman

Afterward a party was held for Charlie at the home of Sam Goldwyn. The celebrations continued the next afternoon with a "bachelor lunch party" at the Montmartre attended by the "back wash of the Chaplin premiere of the night before. Charlie himself with Douglas Fairbanks, Harry d'Arrast, and Robert Fraser." Charlie was clad in a "snappy sports outfit, white buckskin shoes, white serge trousers with a black hair line, and a form-fitting khaki coat. He received visits from many admirers at his table." Interestingly, a "nattily turned out" Syd Chaplin was also there, but "lunched with Hawaiian friends."4
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*Lita had been in practical seclusion during this time. Three days after the premiere, the birth of Charlie Chaplin, Jr. was announced. His date of birth was given as June 28th, although he had actually been born on May 5th. Since Charlie and Lita had only been married 6 months, he paid the doctor $25,000 to falsify the birth certificate with a later date. In order to keep the birth a secret for another 7 weeks, Lita and the baby were hidden away--first in a cabin in the San Bernadino mountains and then in a house in Redondo Beach. 

1Rosalind Shaffer, "All The Old Guard of Movieland Sees Chaplin Premiere," Chicago Daily Tribune, July 5, 1925
2David Robinson, Charlie Chaplin: His Life and Art, 1985
3Chicago Daily Tribune, July 5, 1925
4Rosalind Shaffer, Chicago Daily Tribune, July 5, 1925

August 31, 2015

Charlie gives Doug & Mary a lift home from the train station in Pasadena

"The Big Three" in Charlie's new Rolls Royce. Mary puts on a brave face.

After several months traveling in Europe, Mary Pickford and Douglas Fairbanks were back in California. "Although all sizes and varieties of machines were drawn up for the purpose of taking Douglas and Mary back to Hollywood," the Los Angeles Times (August 7, 1924) reported, "Charlie Chaplin, fairly oozing pride in a new blue roadster, literally pushed them into it. Mary, plainly hesitant at risking her life to Charlie's driving, kept remonstrating, 'But Charlie, are you sure you can drive?' The famous comedian, frowning at her lack of faith, merely shoved in the clutch and they were off. At a late hour last night no casualties had been reported, so it is assumed that Charlie can drive."

Safely home at Pickfair

July 16, 2015

Swimming at Pickfair, c. 1922


Mary, Doug, and Charlie are in the water. Mary's brother, Jack, & his wife, Marilyn, are sitting on the lawn in the background.

May 27, 2015

A couple more photos of Charlie, Doug, and Mary on the set of Mary's film, How Could You, Jean (1918)

These rare photos are currently up for auction on eBay.

I posted another photo from this series a couple of months ago. See it here.



April 30, 2015

Members of United Artists at United Airport in Burbank, July 1933

L-R: Ed Finney, Hal Horne, Walt Disney, Al Lichtman, Mary Pickford, CC, Joe Schenck.
The first four were heading to Chicago for a convention of film exhibitors.
 Photo: www.marypickford.org

April 9, 2015

"The Big Three" in Philadelphia during the Third Liberty Loan Drive, April 9th, 1918

This was their last appearance together before setting off on tour by themselves. Chaplin headed south, Pickford to the north, and Fairbanks to the midwest. Chaplin's southern tour began in Petersburg, VA on April 11th.


Chaplin was impressed by the enthusiasm of the people of Philadelphia. "It is just what I expected to see in this great city of Independence." (Evening Public Ledger, 4/9/18)

Schedule for Philadelphia's "Movie Day" Liberty Loan program.
Evening Public Ledger, April 9, 1918
All open-air meetings were cancelled due to rain.

December 1, 2014

Chaplin with Douglas Fairbanks and others, c.1918

At far left is Mary Pickford. The man in the tux might be Allan Dwan. I'm not sure of the identity of the man between CC and Doug. Any ideas?



November 22, 2014

Charlie at Jack Pickford's wedding at Pickfair, 1922

Charlie is in the center. Jack Pickford and his new wife, Marilyn Miller, are in front of him walking down the steps.
Douglas Fairbanks is inside the door (hard to see) and Mary Pickford is right outside the door wearing a white hat with her
head turned away from the camera.

See footage of the wedding here.

October 2, 2014

United Artists meeting, September 1935

L-R: Robert Fairbanks (brother of Douglas), Samuel Goldwyn, Mary Pickford, CC (note his partially dyed hair for the filming of Modern Times), & Alexander Korda.

Chaplin credits Korda for being the first to suggest that he should do a Hitler story based on mistaken identity (The Great Dictator).


May 7, 2014

Group photo of United Artists' stars, management, and crew, c.late 1920s

Charlie is in the middle between Marion Davies and Gloria Swanson. Adolphe Menjou is at far right.
In this closeup of the above photo you can see a few more familiar faces:
Mary Pickford at far left in the second row. D.W. Griffith second from right.
 Colleen Moore in front of Griffith & Harry Crocker in the front row.

May 2, 2014

Charlie delivers an impassioned speech during the kick-off of the Third Liberty Loan drive in Washington D.C., April 6,1918

Besides giving a speech, Charlie also conducts a band from the platform and then dances with Marie Dressler at the end. Part of Mary Pickford's speech is included as well.



April 11, 2014

Premiere of MONSIEUR VERDOUX, New York City, April 11, 1947


Mary Pickford was Charlie and Oona's guest at the premiere which took place at the Broadway Theater. Charlie remembered that Mary, holding on to his hand, pushed her way through the packed lobby and propelled herself to the microphone:
In the midst of the shoving and pushing, said Mary: "Two thousand years ago Christ was born, and tonight..." She got no further, for, still holding on to my hand, she was yanked away from the mike by a sudden push from the crowd--I have often wondered since what was coming next.
There was an uneasy atmosphere in the theater that night. A feeling that the audience had come to prove something. The moment the film started, instead of the the eager anticipation and the happy stir of the past that had greeted my films, there was nervous applause scattered with a few hisses. I loathe to admit it but those few hisses hurt more than all the antagonism of the press.
Charlie got up long before the film was finished and paced in the lobby until it was over.


Afterward, at a party at "21," Charlie, "surrounded by ill-wishers," quickly downed two drinks at once, which was rare for him. Robert Lewis, who played Verdoux's friend, Maurice Botello, remembered that "other celebrities there didn't even mention the picture. They simply took over the party."

After supper, entertainers got up and performed their numbers. While Ethel Merman sang, Lewis watched Louella Parsons "dressed in black, sitting in a corner, her disapproving eyes glued on Chaplin. She looked like some predator waiting for him to do or say something that might be used against him in her column." Finally, in a desperate attempt to recapture his own party, Charlie got up and performed his bullfight pantomime where he plays both the matador and the bull. Although it was executed brilliantly, it wasn't enough to get much response from the crowd. Charlie once told Lewis about a recurrent nightmare he had had all his life where he would be performing in front of a large crowd and no one would be laughing. "Now his nightmare had become a reality."

Oona had left the party early, so Lewis and Donald Ogden Stewart escorted a tipsy & "genuinely shaken" Charlie back to his hotel. "Don and I helped Charlie undress. In his shorts, sitting on the side of his bed, the twentieth century's mighty performing artist sniffled like a little boy. 'They couldn't take it, could they?' he kept repeating, 'I kicked them in the balls, didn't I? I hit them where it hurt.'"

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Sources:

Charles Chaplin, My Autobiography, 1964
Robert Lewis, Slings & Arrows: Theater In My Life, 1996

April 9, 2014

Hollywood party, c. early 1930s

L-R: Mary, Doug, CC, and Douglas Fairbanks, Jr.


Another photo from the party, below, appeared in Chaplin's 1975 book My Life In Pictures.
L-R: Gary Cooper, Sally Eilers, CC,  Elsa Maxwell, Countess Dorothy di Frasso, Mrs. Richard Barthelmess, & Douglas, Jr. Chaplin's book gives the date as "late 1920s" but Gary Cooper and di Frasso were an item and they didn't meet until 1931. Therefore I would date this around late 1932 or 1933.